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"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {1}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {2}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {3}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {4}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {5}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {6}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {7}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {8}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {9}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {10}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {11}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {1}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {2}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {3}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {4}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {5}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {6}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {7}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {8}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {9}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {10}
"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926 {11}

"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926

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"Ten Girls In a Meadow" Jean-richard Bloch Ill. by Marie LAURENCIN 1/800 1926

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Description    () Sought-after edition of this "Imaginary Ballet"with the illustrations inimitableby Marie Laurencin.
Au Sans Pareil Editions1926 format 14.5 * 19.5cm, 112pone of 800 copies on Annonay Vellum by the Montgolfier brothers
Embellished with 4 etchings, figurativeby Marie Laurencinunder snakes Softcover under folded coverprotected in crystal paper
State  Very nice copy with slight wear of use
Marked fold on the back
Sunburnt back
Slight soiling on edge
fresh interior very slightly yellowed
Photo gallery
Click to expand Marie Mélanie Laurencin, born 31   October  1883
in the 10e district of Paris nb 1
and died on8
June
1956
in the 7e borough
from the same city1
is a  painter  figurative
french
but also a engraver
and an illustrator
closely associated with the birth of themodern Art . Decorator
of  neoclassical ballets
ambitioning, like his admirer Max Jacob
a transgression of artistic genres
she was also a letter writer
to the baffling fantasy
and composed poems in free verses , inseparable2
in the course of his creative process, of the pictorial expression of the scenes phantasmal
that it represents.
Fellow student of Georges Braque
creature ofHenri-Pierre Roché
muse of Guillaume Apollinaire , disciple of Henri Matisse  support by Andre Derain , friend of Pablo Picasso  until their breakup, and lover of Nicole groult , Marie Laurencin made of her style, described as " nymphism
A timeless surpassing of both fauvism only cubism
and of his life an emblematic work as manyan artistic revolution  that of the liberation of women . If its international glorybetween two wars
was tarnished during the Occupation  by social events which have earned him a narrow escape from the fate of shaved women , and if criticism, obsessed with her feminine expression of a desire that refers to childhood, does not exempt her from an apparently easy sensibility without clear evolution, her life, like her painting, once again aroused the interest since the singer Joe Dassin  evoked it in 1975 in its greatest popular success, Indian summer
However, very little exposed in France , it was not until 2011 for a biography of Bertrand Meyer-Stabley to explore its dark side and spring 2013 for a Parisian exhibition to rediscover it to the general public.
Antitheses of the nightmares of Goya
which was his only ideal, his watercolors  vives and its glaze
pastel indefinitely repeat the ambiguous and hallucinatory mystery of princesses and beasts fairy
flowers and teenage girls androgynous  to unreal pallor. In a reminiscence of gallant parties
of Watteau 3
his fluid line captures the moment ecstatic  of a dancing pose by their mute gazes like those of a mask.
Entering the Parisian painting (1924-1929)
Young girl portrait, 1924. The work, exhibited at the Boverie Museum inCork
was classified in 2011 " treasure of the French community
That same year 1924 , she opens with  Alexandra Exter  a collaboration in the free workshop opened Fernand Leger
at homeAmedee Ozenfant
furnished by Le Corbusier  avenue Reille
This workshop, which welcomes artists from all over the world, becomes the laboratory of purism
and a school ofmodern Art
In 1925 , his work alongsideAndré Groult
for the decoration of the Ambassador's lounge organized as part of theDecorative arts exhibition
of Paris  is received as " the ideal of French taste "73 .  Alfred Flechtheim  dedicates a retrospective to him in his gallery Berlin
The Laurencine inspiration then translates into an always feminine easel painting, with a delicate invoice nourished by a more “palette”. fluid and suave », According to an increasing simplification of the composition and forms typical of a certain return to the  classicism  of the'Art Deco
Favoring the graceful pose of her models, she adorns them according to her fantasy with feathers or pearls.
Figure of worldliness Parisian  assiduous on Thursdays Marie-Louise Bousquet
on Friday afternoons of Natalie Barney and Romaine Brooks
on Sundays from Marie-Blanche de Polignac , with tea Lise Deharme
at dinners Louise de Vilmorin
to the evenings of  Marie-Laure de Noailles
she becomes herself, under the pen of Marcel Jouhandeau
a subject of literature74
In 1928
she bought an apartment in the prestigious district of Field of Mars
on the top floor of 1  Savorgnan-de-Brazza street
and settles there on June 2 1929 .
Jean Bloch, said Jean-Richard Bloch, born the 25
may
1884
at Paris
8e
and dead the 15
March
1947
in Paris 1er
is awriter
essayist
politician
journalist
and poet
French
Engaged in 1914 , corporal, then second lieutenant and lieutenant in the infantry, he was wounded three times. After the war, he collaborated in Working life
and to Humanity
as well as to the journal  Clarity. Socialist since he was a student, he joined the French Communist Party from 1921 , but left him at the time of the Bolshevization. It contributes, with Romain Rolland
and a committee of writers, in  1923 , when the journal was created Europe  including his brother Pierre Abraham  is also among the first collaborators3
He also collaborates as an editor at the Rieder publishing house which publishes Europe4
In 1933, he was between socialism and communism, without belonging to one of the two parties.5
He will militate in favor of the anti-fascist cause and the Popular Front
and gradually move closer to the Communist Party. After the crisis of February 6, 1934
he adheres to  Vigilance Committee of Antifascist Intellectuals
CVIA) and the Association of Revolutionary Writers and Artists (AEAR). He participates in August 1934  at the Congress of Soviet Writers in Moscow6
This trip formalizes its rapprochement with the PCF. He organizes and actively participates in International Congress of Writers for the Defense of Culture
in 1935 and, with Louis Aragon  at the foundation of the communist daily Tonight
in March 1937
He joined the French Communist Party in the early summer of 1939, a few weeks before the German-Soviet Pact.
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