Description (ph 7)
With texts on Paris by Claude Roy, Aragon, Rainer Maria Rilke, Victor Hugo,
André Breton, Paul Chalot, Guy Béart, Philippe Soupault,Robert Brasillach,
Alfred de Musset and Mouloudji.
With Ex-libris damp pads Mention "Mehr licht": more light.
Editions De Francony - Michèle Trinckvel1986Preface by the son of illustrator
Jean-Marie CarzouEdition signed by the artist
Format 28 * 41cm (45 * 32 case), 93pNumbered 12/50 on Grand Vélin Royal de Lana
Embellished with 14 superb Original Lithographs by Jean Carzou
Including 8 double page in color and 5 in black Including the Cover
representing Notre Dame with her arrow! under snakes
Accompanied by an off-print lithograph frontispiecesigned and numbered 12/300
In unbroken sheets under folded blanket Under Solid case-box with golden and
stylized 1st dishSuperb
WARNING : the series of illustrations announced in the proof of the draw are
not present.
State
Very good copy
a little shock to a corner of the case
TO NOTE : presence of ex libris stamps
in the text and in the corner of the illustrations
Fresh Interior
very slightly horny frontispiece
2 slightly wrinkled snakes Photo gallery
Click to expand
Jean Carzou, pseudonym of Garnik Zouloumian, born in Aleppo
Syria
the 1er
January
1907
and died at
Marsac-sur-l'Isle (Dordogne
the 12
August
2000
is a painter
lithographer
engraver
etching
dry point
and decorator
French
original Armenian
What did Carzou bring ? A writing and a style at the same time. Detailed
writing, woven, spun, where the skilful mixture of straight lines and
arabesques, fruit of the certainty of the drawing, contributes to the effects
of perspective as of general composition of the work, as well as to the mystery
most often sought by the artist. painter "
We will remember with Patrick-F. Cross out that " voluntarily on the sidelines
of the great pictorial movements, Jean Carzou, while perfectly inscribing his
work in an era of which he was the witness, knew how to invent, impose and
preserve a style of the most particular "
Carzou remains like this " among the outstanding artists of our time : he
translated better than anyone the concerns, the dangers, the grandiose and
distressing achievements but, this is his originality, he knew how to express
it with poetry "
In 1977, he designed his academician's sword himself before entering the
Academy of Fine Arts in the chair of Jean Bouchaud.
Jean-Marie Carzou, a former student of the École Normale Supérieure, is an
information professional. Former ORTF program advisor, producer and director of
television programs.
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“Very good state”: “Very good state” |